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This John Fahey tribute album was produced by Jon Monday, former art director and later vice president and general manager of Fahey's label, Takoma Records. It contains a collection of interpretations of Fahey compositions and original compositions played in Fahey's style. All the performers were either friends, students, collaborators or label-mates of Fahey.
Daniel Spicer of PopMatters singled out specific performances as "less successful" as others, but called the album "commendable and hugely enjoyable tribute to a unique giant of American music." He singles out George Winston's harmonica version of "Sally Goodin" as "a relentless, barrage of percussive blowing that whips up a dark vortex of drones and overtones, dragging the listener down to a tiny point of non-existence. It really must be heard to be believed."[2] 2ff7e9595c
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